Click here to join our channel and stay updated with the latest Biz news and updates. The Bangla film was directed by Mahmud Hosen Murad and stars Sakhwat Sagor and Shompa Hasnine. Moner Moddhe Lekha released in January 2014. Like us on Facebook and follow us on Twitter.įinancial Express is now on Telegram. This is a zine dedicated to Bangla movies. Get live Stock Prices from BSE, NSE, US Market and latest NAV, portfolio of Mutual Funds, Check out latest IPO News, Best Performing IPOs, calculate your tax by Income Tax Calculator, know market’s Top Gainers, Top Losers & Best Equity Funds. ‘Password’, touted as the first Bengali cybercrime thriller, will see the cast of actors Dev and Parambrata Chatterjee in the two main roles. Saradindu Bandyopadhyay’s story ‘Mogno Moinak’. While ‘Mitin Masi’, starring Koel Mallick, is the tale of a fictional lady detective inspired by a Suchitra Bhattacharya novel, ‘Satyanweshi Byomkesh’, starring Parambrata Chatterjee and Rudranil Ghosh, is adapted from READ: I am going to work with Sanjay Leela Bhansali soon: Alia Bhatt Some of the experimental techniques which Satyajit Ray pioneered include photo-negative flashbacks and X-ray digressions while filming Pratidwandi (1972).Echoing Chatterjee’s concern, Rudranil Ghosh said, “I want audiences to watch all the Bengali releases this puja, but the main cause of worry is the release of a Hindi film during the period.” He pioneered the technique while filming Aparajito (1956), the second part of The Apu Trilogy. One of his most important techniques was bounce lighting, to recreate the effect of daylight on sets. The cinematographer Subrata Mitra, who made his debut with Ray's The Apu Trilogy, also had an important influence on cinematography across the world.
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Some of his films have strong similarities to later famous international films, such as Ajantrik (1958) resembling the Herbie films (1967–2005), and Bari Theke Paliye (1958) resembling François Truffaut's The 400 Blows (1959). Romantic dramas, funny comedies, scary horror stories, action-packed thrillers these movies and TV shows in Bengali have something for fans of all genres. Another Bengali filmmaker, Ritwik Ghatak, began reaching a global audience long after his death beginning in the 1990s, a project to restore Ghatak's films was undertaken, and international exhibitions (and subsequent DVD releases) have belatedly generated an increasingly global audience. Retrospectives of his films have been shown in major cities of the world. During his career, Mrinal Sen's films have received awards from major film festivals, including Cannes, Berlin, Venice, Moscow, Karlovy Vary, Montreal, Chicago, and Cairo. Īnother prominent Bengali filmmaker is Mrinal Sen, whose films have been well known for their Marxist views. Entertainment News in Bengali See entertainment news, video and photos of the latest movies, celebrities, TV news and many more on Hindustan Times Bangla. Similar references to Ray films are found in recent works such as Sacred Evil (2006), the Elements trilogy of Deepa Mehta, and in films of Jean-Luc Godard.
Ira Sachs' Forty Shades of Blue (2005) was a loose remake of Charulata, and in Gregory Nava's My Family (1995), the final scene is duplicated from the final scene of The World of Apu. Ray's 1967 script for a film to be called The Alien, which was eventually cancelled, is widely believed to have been the inspiration for Steven Spielberg's E.T.
Kanchenjungha (1962) introduced a narrative structure that resembles later hyperlink cinema. The "youthful coming-of-age dramas that have flooded art houses since the mid-fifties owe a tremendous debt to the Apu trilogy".
His work subsequently had a worldwide impact, with filmmakers such as Martin Scorsese, James Ivory, Abbas Kiarostami, Elia Kazan, François Truffaut, Carlos Saura, Isao Takahata, Wes Anderson and Danny Boyle being influenced by his cinematic style, and many others such as Akira Kurosawa praising his work. The most influential among them was Satyajit Ray, whose films became successful among European, American and, Asian audiences. This allowed Bengali filmmakers to reach a global audience. Ever since Satyajit Ray's Pather Panchali (1955) was awarded Best Human Document at the 1956 Cannes Film Festival, Bengali films frequently appeared in international fora and film festivals for the next several decades.